CS Daily Archive > DVD of the Day > 04/14/04

A Poignant, Whimsical Monarch

by Jason DAVIS

 

A fantasy of discovery and enlightenment is brought to DVD with nothing but its innate charm.

The Little Prince

Allan Jay Lerner

Based on the story by Antoine de Saint-Exupery

When a downed pilot (Richard Kiley) meets a strange boy (Steven Warner) in the middle of the Sahara Desert, a magical friendship forms as each tries to help the other escape from their unfortunate predicament. Along the way, abstracts of the adult world (war, wealth, nationalism, history, suicide, and so on) are personified and presented for the absurdities they are. Only responsibility and friendship remain as the credits roll.

The Little Prince is a fable and makes no pretenses to be otherwise. As such, it is presented in a manner simple enough for a child to understand while presenting adult concepts in a light that makes even grownups think twice. The audience is told little of the characters (no names), but their interaction provides the depth that endears them to the viewer. Their conversations are simple, but meaningful. An almost Socratic dialogue is constructed and the back and forth of their discourse creates a current that moves the audience along with the narrative's thrust.

As a fable, the movie can freely poke fun at serious things like the arbitrary nature of the borders between nations. Allan Jay Lerner's screenplay takes only seconds to make the notion seem insane before moving on to the next mind-boggling peculiarity of civilization. Satiric vignettes like these appear effortless and their sheer simplicity makes close analysis almost as absurd as the concepts they ridicule. On the other hand, the story's treatment of responsibility, dramatized with the aid of an anthropomorphic fox (Gene Wilder), takes nearly a third of the movie's running time and leaves the viewer wondering why such things as friendship never seemed as important before.

Leaving aside the script's meaning, it's worth noting that the story's style of presentation is almost as simple as its message. Yet it has a peculiar mixture of whimsy and poignancy the like of which may be unrepeatable in today's less innocent world. The emotional impact of the story is as evident as the intellectual and the experience of viewing the movie is doubly enriching because of it. To quantify the interaction of these two somewhat conflicting feelings would be pointless. It is for subjects such as this that the French have je ne sais quoi. The film simply is the way it is, and few would likely argue that this should not be the case.

Even the musical numbers integrate so perfectly with the narrative and its tone that they provide no distraction from the story's delivery. If any criticism can be offered, it is that the snake (the center of the story's treatise on suicide) dances a little too long. Of course, the snake is played by the incomparable Bob Fosse, so such a complaint would be like arguing that Da Vinci painted too much.

None. A film like this deserves some kind of supplementary material to offer insight into its magic.


Though bereft of extras, fans can revisit a classic and the uninitiated can behold a small marvel that makes you laugh, think, and feel like a six-year-old one more time. The Little Prince proves that fables still have power despite their simplicity in an increasingly complicated world.


[Ed. Note: Antoine de Saint-Exupery's plane was just found, 60 years after the author disappeared during a WWII spy mission for the Allies.]

The Little Prince
Paramount Home Video
Rated G
88 min.
$14.99

Buy it now for only $12.99 (save 18%)

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At the age of 21, Jason Davis was hit in the face with a car. He has since devoted his life to writing. He lives in Burbank with his girlfriend, a suicidal fish, and a plant called Pete..


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