 |
CS
Daily Archive > DVD
of the Day > 05/11/04
By
the Book Storytelling
by
MATTHEW
REYNOLDS
This sappy look
into yesteryear leans a little too heavily on its
soundtrack to convey mood, but the story coasts to
a surprisingly sweet conclusion; what could have been
simply a vanity project by director Bob Shaye, the
studio head of New Line Cinema, is simply an ode to
his teen years.

Book
of Love

William
Kotzwinkle
Based on his novel, Jack in the Box

 

It's
the 1950s, and student Jack Twiller (Chris Young)
tries to get by at his new high school -- he's befriended
by girl-crazy "Crutch Kane," (Keith Coogan)
who has no idea he sees a nerd when he looks in the
mirror; and he falls for lovely Lily (Josie Bisset),
who uses him only to make her bully boyfriend jealous.
There are classic summer camp antics, grease monkey
car troubles, and a wild party that gets predictably
out of control, all leading to prom night, where Twiller
has to see what he's really made of. While the ending
doesn't necessarily qualify as a twist, it is somewhat
unexpected, and makes for a decent, realistic conclusion.
Bookended by an adult Jack (Michael McKean) looking
through his old high school yearbook, the movie has
the caustic quality of Stand
By Me and the gauzy look of A
Christmas Story. It slips into cliché
quite often; of course, what is cliché to one
generation packs actual meaning and memories to another.
Twiller's character isn't terribly engaging, in fact
he's kind of bland; all the eccentricities fall upon
geeky Kane and his tough-guy friend Spider (Danny
Nucci). Twiller's parents are clueless in a way that
parents in the '50s were apparently doomed to be.
While not exactly original, there is a timeless appeal
to his struggles at fitting in at a new school.

- Feature
commentary by director Bob Shaye
- "Meet Bob Shaye" documentary
- Shaye's original short film, "Image"
- Trailers and TV spots
According
to the commentary, Shaye (left) was drawn to this
material mainly for his nostalgia for the time period;
he was working with someone who was essentially a
novice of a screenwriter, and it's worth noting that
there are no stars in the film. So aside from producer
Rachel Talalay, a key figure in the Nightmare on Elm
Street movies, it appeared that Shaye was on his own
with this personal project. He does mention that he
would never have been able to get away from his pressing
day-to-day duties as chairman of the studio if not
for President Michael Lynn taking the reigns. Only
then did he feel comfortable making the artistic commitment
to working on just one film, himself.
Shaye reserves some special praise for Kotzwinkle,
whom he describes as being quite collaborative, considering
he was adapting his first screenplay. Kotzwinkle was
on set the whole time, and was amenable to making
changes. And because it was his first feature film,
Shaye explains that he storyboarded the entire film.
Interestingly, the coarse language and brief nudity
earn the film an "R" rating, and Shaye says
that they were going for that more adult theme. But
like a lot of teen films of the '80s, the story itself
doesn't have a sophistication to match those sporadic
adult elements.

This film
doesn't offer much by way of originality, no new or
interesting take on the time period (as compared to,
say, Liberty Heights)
- - but its meek watchability increases as it goes.
The extras aren't all that remarkable.
.jpg)
Book
of Love
New Line Home Video
Rated PG-13; 86 min.
$19.97
Buy it now for only $16.97
(save 15%)
Rent
it now
Matthew
Reynolds is a former journalist now working in feature
film development. He is not responsible for items
lost or stolen during the reading of this article.

|
 |

From
the Trenches (Monday)
Working screenwriters discuss
in their own words a particular
aspect of screenwriting,
from the mechanics of writing
to the personal and professional
impact that writing has
had on their lives. >
VIEW
ARCHIVE
The
Art of Craft (Tuesday)
Screenwriting experts discuss
how to approach various
aspects of writing and the
writing life. A mini-seminar
each week from the people
who write the books and
teach the classes. >
VIEW
ARCHIVE
Expert
Witness (Wednesday)
A panel of experts assembled
to provide the facts about
the screenwriting business.
Readers will be able have
their questions answered
by an agent, producer, entertainment
attorney, and WGA representativeand
without paying that 10%
commission. > VIEW
ARCHIVE
Son
of a Pitch (Thursday)
A weekly tutorial on how
to write a script. Each
week deals with a different
element of creating a script,
with the ultimate goal to
provide a step-by-step instruction
manual for new writers.
The guide for this is a
writer just diving into
screenwriting himself, who
asks the pros questions
any new screenwriter would
have about this brave new
world. > VIEW
ARCHIVE
Weekend
Read (Friday)
Film, book, web site and technology reviews from a
writers perspective. How can these items help
a writer on his or her journey, or make that journey
more enjoyable? > VIEW
ARCHIVE
DVD
Review of the Day (Every
Weekday)
DVD reviews from a writers point of view. What
aspects of this script and features of this DVD illuminate
the writing, development, and storytelling process?
> VIEW ARCHIVE
|
 |