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Daily Archive > Weekend
Read > 04/16/04
Broad Comedy Rarely Drags
By
Sarah Kuhn
This
campy, sequin-swathed concept is hardly original and
the resulting themes and characters are just this
side of cartoony. But there's something willfully
winning about Connie and Carla, a genial pair of enthusiastic
performers. 
Connie
and Carla

Nia Vardalos


Connie
(Nia Vardalos) and Carla (Toni Collette) are gleefully
over-the-top airport lounge singers who love big hair,
musicals, and Debbie Reynolds. After the two gals
witness a mob hit, they decide that they'd best go
into hiding, and head cross-country to Los Angeles.
In an "only in the movies" twist that steals
a few pages from Some Like it Hot, the duo finds work
by spackling on glittery make-up and posing as drag
queens at a West Hollywood club. Their act is, of
course, a huge hit, but things get complicated when
Connie falls for the straight brother of one of her
fellow queens. And as the girls' act gain notoriety,
they worry that it's only a matter of time before
the mob tracks them down.
The story
here is a fairly paint-by-numbers affair, but Connie
and Carla are enjoyably plucky heroines with boundless
enthusiasm. The best bits of the film focus on their
act, energetic renditions of various Broadway standards.
The duo camps it up, but Vardalos doesn't position
their act as a joke -- there's a sincerity there that
makes the resulting cheese all the more winning.
Vardalos
also wants to impart a general sense of "You
go, girl!" empowerment -- Connie and Carla can
only find themselves by pretending to be what they're
not, and their drag sermons about things like body
image inspire their fellow queens and audiences. This
message is delivered in a broad, almost cartoony way,
but it's so genial that it's hard not to get swept
along.
In general, the picture also works as a female buddy
comedy because Connie and Carla share a decent chemistry.
The affable, scheming Connie nicely balances sweet,
ditzy Carla, and the two have some nice moments of
loopy fun together. Unfortunately, Vardalos upsets
the balance by giving Connie a love interest sub-plot,
while Carla has to settle for reacting to said sub-plot.
As one half of the movie's titular duo, Carla should
get equal time. As for the supporting characters,
they -- like the extended family in Vardalos' My
Big Fat Greek Wedding -- are essentially cartoons
notable for one defining trait.
The lines
the characters deliver are, like the rest of the film,
mostly fun, somewhat broad, and occasionally sparkling.
The two leads occasionally spit out enjoyably off-kilter
one-liners, but much of the dialogue is made up of
Big Statements suitable for printing on a T-shirt
("Chins up, boobs out! It's showtime!").
But hey, that's not necessarily a bad thing -- in
fact, it fits in pretty perfectly with the movie's
silly sensibility.
Connie and
Carla's goofy onstage antics will most likely win
you over, but you may find yourself wishing for more
substance -- and a better sub-plot for Carla.
.jpg)
Connie and
Carla
Universal Pictures
Rated PG-13; 98 min.
Buy
tickets now
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the poster
Sarah
Kuhn is a freelance writer living in Los Angeles.
Her work has appeared in such fine publications as
Backstage West, Cinescape and IGN.com.
For more of her geekish musings, check out Entertainment
Geekly.
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