CS Weekly Archive > Weekend Read > 06/30/06

 

Devilishly Delightful

By danny munso

 

The Devil Wears Prada

Aline Brosh McKenna
Based on the novel by Lauren Weisberger

 

One of the more amazing things about The Devil Wears Prada is that, despite the Fox marketing department's best efforts, you can be a man who could care less about Jimmy Choos and Manolo Blahniks and still find yourself caring deeply about these rich and very funny characters. Based on Lauren Weisberger's 2003 roman à clef, The Devil Wears Prada follows struggling journalist Andy Sachs (Anne Hathaway) as she becomes an assistant to the famous (and vicious) Miranda Priestly (Meryl Streep), editor-in-chief of fashion's most vital publication, Runway. The film's plot is, at its most basic, nothing more than the usual rags-to-riches fairy tale told through the world of fashion, but screenwriter Aline Brosh McKenna keeps the humor strong enough to overcome any clichés the film may parade. While much of the film's wit comes at the expense of poor Andy -- who we're told is fat (she's a size 6) and has no sense of style whatsoever -- Brosh McKenna manages to ride this one-trick pony most of the way to the finish line with lots of laughs. The second act drags a bit before real drama is thrown Andy's way, but picks up quickly enough to avoid any annoying pacing issues. Hopefully, even with The Man of Steel returning this weekend, this smart, sharp, hilarious comedy finds an audience (of men and women) at the box office.



The Devil Wears Prada

20th Century Fox
Rated PG-13; 106 min.

Buy tickets now

Buy the poster



 

Danny Munso graduated from film school in 2004 and can currently be found on his computer working on one of his many half-written screenplays. Or, more likely, he's on the Internet checking the scores of his beloved Bay Area sports teams.

 

 

The Devil Wears Prada courtesy 20th Century Fox

 


From the Trenches
Working screenwriters discuss in their own words a particular aspect of screenwriting, from the mechanics of writing to the personal and professional impact that writing has had on their lives. > VIEW ARCHIVE

The Art of Craft
Screenwriting experts discuss how to approach various aspects of writing and the writing life. A mini-seminar each week from the people who write the books and teach the classes. > VIEW ARCHIVE

The Big Picture

Features that cover all aspects of screenwriting, from our "Seven Best" lists to analysis of old favorites and new classics. > VIEW ARCHIVE

Expert Witness
A panel of experts assembled to provide the facts about the screenwriting business. Readers will be able have their questions answered by an agent, producer, entertainment attorney, and WGA representative—and without paying that 10% commission. > VIEW ARCHIVE

Son of a Pitch
A weekly tutorial on how to write a script. Each week deals with a different element of creating a script, with the ultimate goal to provide a step-by-step instruction manual for new writers. The guide for this is a writer just diving into screenwriting himself, who asks the pros questions any new screenwriter would have about this brave new world. > VIEW ARCHIVE

Weekend Read
Film, book, web site and technology reviews from a writer’s perspective. How can these items help a writer on his or her journey, or make that journey more enjoyable? > VIEW ARCHIVE

DVD Review of the Day
DVD reviews from a writer’s point of view. What aspects of this script and features of this DVD illuminate the writing, development, and storytelling process? > VIEW ARCHIVE

Free magazine! Free movies! Sign up for CS Weekly, Creative Screenwriting's new magazine that delivers news, interviews, DVD reviews and more to your email inbox every week! You can also be on CS's mailing list for information about the free CS Screening Series (in Los Angeles). Sign up now!

Email: