A Selection Of Creative Screenwriting Magazine Interviews With TV Writers In 2022

Creative Screenwriting Magazine continued our tradition in bringing you interviews with some of the best TV writers from 2022. Here’s a selection of some of them for you:
“Female Friendship and Female Rage” Ashley Lyle & Bart Nickerson On ‘Yellowjackets’
“Personalization Of Opioid Addiction” Danny Strong On “Dopesick”
Rodney Barnes & Jim Hecht Talk “Winning Time: The Rise Of The Lakers Dynasty”
“Grounded Realism With A Supernatural Wink” Patrick Somerville On ‘Station Eleven’
“An Operatic Tragedy With Equal Parts Wonder & Danger” Brian Watkins On “Outer Range”
“WeWork Wants To Raise Human Consciousness” Lee Eisenberg & Drew Crevello Talk ‘WeCrashed’
“There Was More To Conrad’s Life Than His End” Liz Hannah & Patrick Macmanus Talk “The Girl From Plainville”
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“The Rhythms of Comedy” Courtney Lilly on the ‘Black-ish’ Farewell Season
“Heightened Yet Relatable Worlds” Chris Sheridan on ‘Resident Alien’
“Second Act Of A Mature Marriage” Daniel Goldfarb & Chris Keyser Talk ‘Julia’
“Sunny Noir Comedy” Robert Siegel & D.V. DeVincentis on ‘Pam & Tommy’
“Get to the Same Place in a Less Expectant Way” Joby Harold on ‘Obi-Wan Kenobi’
“Entering the Upside Down” The Duffer Brothers Discuss the New Season of ‘Stranger Things’ (Part 1)
“Smuggling Exciting Ideas Into IP” Jeremy Slater on ‘Moon Knight’
“Raw & Absurd” How Showrunner Elizabeth Meriwether Describes ‘The Dropout’
“Differentiate Your Work” Hwang Dong-Hyuk On Squid Game
A Purveyor of the Fantastic: A Conversation with The Sandman’s Allan Heinberg
“Letting Your Writing Steep” A Conversation with ‘The Bear’ Showrunner Joanna Calo
The Nuts and Bolts of Writing True Crime: An Interview with Black Bird’s Dennis Lehane
“I Don’t Like Cleaning, But I Like Things To Be Clean” Creator Miranda Kwok On “‘The Cleaning Lady’
Dan Erickson Talks Work/ Life Balance In ‘Severance’
“An Agent Of Chaos Where Anything Could Happen” Alexi Hawley On ‘The Recruit’
“You Have Power as a Writer” Alfred Gough and Miles Millar on Netflix’s ‘Wednesday’
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