Let characters be at the top of their intelligence: Paul Rust on Love.
Paul Rust discusses taking an idea from pitch to finished show, how working with Judd Apatow literally opens doors, exploring character through location, and the importance of characters having an intelligence.
Paul Rust discusses taking an idea from pitch to finished show, how working with Judd Apatow literally opens doors, exploring character through location, and the importance of characters having an intelligence.
Time, Money and the Invisible Bullshit Line: Chris Morgan on The Fate of the Furious
Chris Morgan discusses The Fate of the Furious, the three things that limit action, and and the heartbreak of losing franchise star, Paul Walker.
Chris Morgan discusses The Fate of the Furious, the three things that limit action, and and the heartbreak of losing franchise star, Paul Walker.
For Here or to Go: Blog Post to Big Screen
Rishi Bhilawadikar on how he learned to write in order to tell this story, communicating through entertainment, and taking an idea from blog post to a finished film.
Rishi Bhilawadikar on how he learned to write in order to tell this story, communicating through entertainment, and taking an idea from blog post to a finished film.
The Discovery: A Big Premise Character Piece
Charlie McDowell on making exposition interesting, the importance of regret, writing for your actors, and news of an upcoming adaptation of Don DeLillo’s novel Zero K.
Charlie McDowell on making exposition interesting, the importance of regret, writing for your actors, and news of an upcoming adaptation of Don DeLillo’s novel Zero K.
The script doesn’t exist on its own: Ed Gass-Donnelly on Lavender
Ed Gass-Donnelly on what two things a scene has to accomplish, figuring out the ‘why now’ of your story, and the importance of working on many scripts at once.
Ed Gass-Donnelly on what two things a scene has to accomplish, figuring out the ‘why now’ of your story, and the importance of working on many scripts at once.
