Emotional Trajectories: Jeff Nichols on “Loving”
Jeff Nichols discusses gestational thinking, emotional trajectory in films, writing from a female perspective, and the universality of specificity.
Jeff Nichols discusses gestational thinking, emotional trajectory in films, writing from a female perspective, and the universality of specificity.
Inspired by Salinger: Coming Through the Rye
James Steven Sadwith on what happened when he walked up Salinger’s drive, how is the final rewrite, and the challenges of scripting inner monologue.
James Steven Sadwith on what happened when he walked up Salinger’s drive, how editing a film is the final rewrite, and the challenges of scripting inner monologue.
The Eternal Now: Todd Komarnicki on Sully
Todd Komarnicki discusses the laziness of flashbacks, explores the theory of ‘the eternal now’, and reveals what he learned from Clint Eastwood.
Todd Komarnicki discusses the laziness of flashbacks, explores the theory of ‘the eternal now’, and reveals what he learned from Clint Eastwood.
Chopping in High Cotton: Robert Schenkkan on All the Way and Hacksaw Ridge
Robert Schenkkan discusses the dramatic potential of President Johnson, how to adapt your own play for the cinema, and why the best idea in the room wins.
Robert Schenkkan discusses the dramatic potential of President Johnson, adapting your own play for the cinema, and why the best idea in the room wins.
Queen of Katwe: Expanding What a Disney Film Can Be
William Wheeler on how a script teaches you how to write it, universal themes in storytelling, and the Ghost in the Shell live-action film.
William Wheeler on how a script teaches you how to write it, universal themes in storytelling, and the Ghost in the Shell live-action film.
