Christopher Barbour Talks “CSI” & “Criminal Minds”
Film and TV writers come from all walks of life. It defines their writing style and voice. TV writer Christopher Barbour has an intriguing background. His father, an illegal immigrant from north of the border, and his mother, a child of legal immigrants from south of the border, had a son who wanted to become […]
Jessica Sinyard Talks “The Peak”
Jessica Sinyard is a screenwriter based in the UK. Her television pilot The Peak won the Grand Prize for Screenwriting at the Slamdance Film Festival and is now under option. She is developing material for both film and television, and also writes for a number of boxing publications. She is repped by The Agency and Grandview. […]
Randy Greenberg, Executive Producer Of “The Meg” On What MUST Be In Your Screenwriting Contracts
Film producer Randy Greenberg explains screenwriter contracts: option agreements, payment schedules, rewrites, and essential protections every writer must consider.
“The Work Comes First. Then Your Backstory. Then Your Personality” Says Matt Dy, Talent Manager At Lit Entertainment Group On Getting Repped
Matt Dy is currently a literary manager at the Lit Entertainment Group and works with Adam Kolbrenner. Previously, he worked at Austin Film Festival (AFF) where he served as the Director of Script Competitions. Dy spoke to Creative Screenwriting Magazine about his transition to literary management. What are the qualities of a successful manager? A […]
Jordan Barel Talks Comic Books, Graphic Novels & Live Action Films
Jordan Barel has worked in a variety of role in the film and TV industry. He is currently a writer, producer, and lawyer at Loaded Barrel Studios, which specializes in turning comics and graphic novels into films. He shared his insight with Creative Screenwriting Magazine. What made you launch Loaded Barrel Studios? I had made […]
