Mark Sevi

Revenge Movies Are A Dish Best Served Bold (Part 1)

Revenge Movies Are A Dish Best Served Bold (Part 1)
This entry is part 1 of 2 in the series Revenge

Few themes are as relatable as revenge. We’ve all been wronged and considered various responses to that wrong. Not many of us use violence or extremes toward the wrongdoers, but there is a place we all go to where those remedies are at least internally considered. That’s what makes revenge stories so powerful.   A […]

 Mark Sevi

Why High Concept Films Are Popular In Hollywood

Why High Concept Films Are Popular In Hollywood

It’s one of the mainstays of Hollywood – the High Concept. Some add the word pitch to that to indicate that it’s done mostly to people interested in buying a project. Either way, it’s an important part of how the business in show business is done.   What Is High Concept?   In a nutshell, […]

 Mark Sevi

Structure, Structure, Structure? Where Art Thou? (Part 2)

Structure, Structure, Structure? Where Art Thou? (Part 2)
This entry is part 2 of 2 in the series Structure

House Of Gucci   The movie of Patrizia Reggiani (Lady Gaga) who married Maurizio Gucci (Adam Driver) and then was convicted of his murder is also a seemingly schizophrenic one. In one half you have this storybook romance between Patrizia and Maurizio and the growth of Gucci as a brand; then around midpoint things turn […]

 Mark Sevi

Structure, Structure, Structure? Where Art Thou? (Part 1)

Structure, Structure, Structure? Where Art Thou? (Part 1)
This entry is part 1 of 2 in the series Structure

For many years, film structure has mostly followed the three act structure we’re all aware of: Act I is the setup, II is the journey, and III is resolution Acts I & III comprise each about 20-25% of the script and Act II around 50%. Recently some films have seemingly defied this traditional structure – […]

 Mark Sevi

Clichés, Tropes & Stereotypes (Part 2)

Clichés, Tropes & Stereotypes (Part 2)
This entry is part 2 of 2 in the series Cliches

Flip It   By now you must be seeing some obvious techniques here. Tropes must be subverted to not become clichés and character types must not be reduced to clichés to remain archetypal and stay above the ordinary. In Casino Royale, the 2006 Bond reboot, the writers/producers saw an opportunity to tweak some of the […]

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