Career

 Staff Writer

Navigating Hollywood: Dana Fox’s Strategic Approach to Building a Sustainable Screenwriting Career

Navigating Hollywood: Dana Fox’s Strategic Approach to Building a Sustainable Screenwriting Career

From The Wedding Date and Couples Retreat to Wicked and Wicked For Good, screenwriter Dana Fox has forged an enviable screenwriting career. She began her career as a Hollywood assistant, built relationships and expanded her networks. Dana spoke with Creative Screenwriting Magazine about her breaking in story (being paid to write), her trajectory, but most importantly, […]

 Staff Writer

Staying Power: How Today’s Most Successful Screenwriters Remain Relevant in a Shifting Industry

Staying Power: How Today’s Most Successful Screenwriters Remain Relevant in a Shifting Industry

In the ever-changing world of entertainment, screenwriters must navigate changing audience preferences, new platforms, and new technologies to maintain relevance on our screens. Despite these challenges, numerous contemporary film and television writers continue to thrive and build followings. This article explores how the most successful writers in film and television today—figures including Phoebe Waller-Bridge, Taylor […]

 Staff Writer

How Top Film & TV Writers Broke Into the Business

How Top Film & TV Writers Broke Into the Business

How Tyler Perry, Issa Rae, Kevin Hart, and Benito Skinner broke into film and TV: candid stories, practical tips, and career lessons from top writers. Read now!

 Staff Writer

How to Land a TV Writing Job and Thrive as a Writers’ Assistant

How to Land a TV Writing Job and Thrive as a Writers’ Assistant

Want to break into the TV writing business? Learn how to become a TV writer, find screenwriting fellowships, and land your first television staff writer job.

 Staff Writer

How Screenwriters Can Navigate Today’s “Safe But Weird” TV Landscape

How Screenwriters Can Navigate Today’s “Safe But Weird” TV Landscape

Currently, the television industry finds itself in a creative paradox: everyone says they want something new and exciting, but very few want to be the first to bet on it. For screenwriters, this creates a contradictory terrain to navigate. Are networks actually taking more risks, or just talking about it in press releases? Should writers […]