James Napoli

How to Climb into Your Screenplay (Part 2)

How to Climb into Your Screenplay (Part 2)
This entry is part 2 of 4 in the series Climb Into Screenplay

Okay, so you’ve gone through the various permutations of the initial inspiration for your idea and started to get a handle on how it might sustain a full story. You’ve worked out a good, story-driven logline to narrow down the basic progression of your narrative, and you’ve started to do research on any of the […]

 Staff Writer

How Your Screenplay Characters Perceive Their Truth

How Your Screenplay Characters Perceive Their Truth

Screenwriters should write from a place of truth. Your characters should behave in the same way. But what is truth? Is it simply a logical, intellectual statement that comports to a verifiable fact? Or is truth a malleable judgment that can be influenced by morality, beliefs, cultural norms, personal bias, and emotions. The Greek word […]

 Corey Mandell

10 Most Common Reasons Why Scripts Are Rejected

10 Most Common Reasons Why Scripts Are Rejected

Whenever a script is submitted to the industry, it is passed off to a reader for analysis. The reader will give the script a “recommend,” a “consider” or a “pass.” And unless it gets a recommend, probably no one else is going to look at it. So how many scripts get a recommend? About two […]

 Staff Writer

The Psychology Of Creativity For Screenwriters

The Psychology Of Creativity For Screenwriters

Screenwriters, and all creatives for that matter, frequently grapple with the constant and tiring task of – creating. We have all suffered from writers’ block, a lack of inspiration and motivation, or a paucity of good ideas at some point in our careers. Self-flagellation and self-doubt don’t help. They cause stress and anxiety which stifle […]

 Mark Sevi

How Screenwriters Can Benefit From The Rule Of Three

How Screenwriters Can Benefit From The Rule Of Three

Back when I was a fledgling screenwriter someone told me if something is important, say it/show it at least three times in a screenplay so the audience has can properly absorb and process it. At the time I thought this was because audiences/readers missed important information, or perhaps forgot if it was only mentioned once. […]